Please note: If you are familiar with our old LUT Generator: “ALEXA Classic 709” is the well-known K1S1 LUT. For HDR you can set the Peak White Point: 1000, 2000 or 4000 nits. The 3D LUTs are based on different tone-mapping curves depending on the maximum luminance. Not applying a lut is always better. And Rec709 is a 'Recommendation' by the ITU, its a recommendation for HD video, that basically includes the pixels (1920x1080), the colour gamut and various other things. A Conversion LUT translates the flat V-Log material to a more restricted, yet contrasty, Dynamic Range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec. These conversion LUTs provide a neutral matching of the signal to the monitor, so they can be considered technical.
Using Picture Profile presets with S-Log
When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.
![Rec709 Lut Rec709 Lut](https://p6m5s8c4.stackpathcdn.com/wp-content/uploads/2020/03/Screen-Shot-2020-03-16-at-7.13.05-AM.png)
The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.
Camera setting and types of Picture Profiles
MENU → (Camera Settings) → [Picture Profile] → desired setting.
- PP1:
- Example setting using [Movie] gamma
- PP2:
- Example setting using [Still] gamma
- PP3:
- Example setting of natural color tone using the [ITU709] gamma
- PP4:
- Example setting of a color tone faithful to the ITU709 standard
- PP5:
- Example setting using [Cine1] gamma
- PP6:
- Example setting using [Cine2] gamma
- PP7:
- Example setting using [S-Log2] gamma
- PP8:
- Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].
- PP9:
- Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].
- PP10:
- Example setting for recording HDR movies using [HLG2] gamma.
- Learn more
Why Log video looks faded and low-contrast
Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.
Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.
When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.
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The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.
Appearance of S-Log2 video on a Rec. 709 screen
Easily reproducing colors on Rec. 709 screens with 3D LUTs
Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.
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Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.
![709 709](https://cdn.shopify.com/s/files/1/1378/3337/products/SmallHDZach.00_03_48_10.Still017.jpg?v=1593694055)
When ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.
Using Gamma Display Assist and external monitors
To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.
You can also take advantage of LUT-compatible external monitors, which are now more common.
Comparison of using a LUT on an external monitor
This video introduces shooting in S-Log and shows how effective it can be.
When shooting in S-Log, you can choose S-Log2 or S-Log3. Colors are reproduced differently depending on your choice, so use the right option for your workflow.
In this video, you can see how S-Log2 colors differ from those of S-Log3.
Here are the best free LUTs for video editors, colorists, cinematographers, motion designers, and post-production professionals.
Unlike a traditional roundup that just tells you all about finding free stuff, in this one, we’ve filtered dozens of free LUT packs to create a list of our favorites — and packs that we use the most often. (What is a LUT and how do you use one? We’re so glad you asked.)
So here they are: the 129 lucky winners to make your post-production life easier.
Color Grading Central 36 Free LUTs — M31
Color Grading Central is the brainchild of Denver Riddle, a professional colorist who has done a ton of work to further color grading education with his products and tutorials.
This is where you will find M31, the king of the LUTs. This is a 100 percent absolute must-have LUT that you’ll see on everything from YouTube videos to television shows.
The free LUTs here include 21 utility LUTs to convert footage for Rec709 and 15 stylized LUTs inspired by movie looks. (M31 is included, so go grab it now.) The download also includes some free film stock burns, color grading tutorials, and a free plugin for Premiere Pro.
IWLTBAP 10 Free LUTs
IWLTBAP can help you pull off a ton of popular looks with their professional LUTs. Grab some freebies.
https://www.instagram.com/p/BIzZ0-gjhl1/?utm_source=ig_web_copy_link
RocketStock 35 Free LUTs
This is one of the free packs that I find myself using quite a bit. These are 3D .CUBE files, so you can use them in Premiere Pro CC, FCPX, After Effects CC, DaVinci Resolve, and other NLEs and color grading apps.
This pack is good for quick vintage and cinematic looks.
Lutify Me 7 Free LUTs
These 7 free LUTs are great for those ethereal hipster looks. They’re very reminiscent of film stock, and overall they give off a really nice vibe.
PremiumBeat 17 Free LUTs
Rec709 Lut
If you want even more LUTs inspired by classic films for that film stock look, be sure to grab the free Wanderlust pack from PremiumBeat.
SmallHD 7 Free LUTs
This pack of free LUTs draws its inspiration from well-known films, like The Matrix and Saving Private Ryan.
Greyscalegorilla 13 Free LUTs
Originally intended for motion designers, these free LUTs from professional colorist Jeremy Stuart can help out any project.
Rec 709 Lut Fs7
I’ve used the Kodak 2383 D65 LUT in the pack on multiple projects, and will often go back to a few cinematic looks, too. Digital check ts230 driver for mac.
Juan Melara 4 Free LUTs
Rec 709 Luts
Another great freebie pack from a professional colorist, Juan Melata, this free pack includes 4 more Kodak film emulations.
https://vimeo.com/57785040
Rec 709 Lut Gh5
Apply the coupon code BLOG10 at checkout. Online, Standard licenses only.
Rec 709 Lut Download
Looking for more film and video resources? Check these out.